Rune Thurisaz, Frost Giants, and the severe cosmic winter in Zoroastrianism


In the runic alphabet of the ancient Germanic tribes of Northern Europe there is a rune called *þurisaz/thurisaz “frost giant.”

Thurisaz is a protective rune that is depicted as the hammer of THOR. The rune symbolizes “striking powerful blows, delivering heavy defeat” against the “frost giants/anti-Gods, monsters, and demons of chaos and freezing cold.”

All mythologies have their anti-Gods. In the Zoroastrian and Germanic lore, Anti Gods/devils are frost monsters representing “bleakness, freezing cold, and lack of energy/intensity of passion.”

While in most religious traditions Hell is a “fiery abyss,” in the Zoroastrian faith, hell is a “frozen, nauseating wasteland, devoid of life-force/energy.”

Thurisaz “frost giants” of the Germanic lore come from the Old Norse þurs Old English þyrs: Gothic Þaúrnus Old High German durs, Old English þorn “thorn” (See Didier Calin.)

Thurisaz *þurisaz thus means something like “thorny, injurious, sore.” The ancient Indo Iranian term for “spikey/green leaves, grass, thorny bushes,” like Khotian Punjabi tarra is a cognate. Likewise, Finnish tarna “sedge, grass” is a borrowing from the early Indo Iranian.

On the symbolism of THORNS, we read in the Zoroastrian sacred texts that: “On nature of plants it says in daæná (Luminous spiritual vision,) that before the coming of the evil spirit, vegetation had no thorn about it; and, afterwards, when the lord of all flaws enetered, it became covered with thorns.”

The term used for “thorn” in the Zoroastrian text is Xár literally “sore,” referring to “ache, injury and poisonous conditions.”

Concerning FREEZING COLD/WINTER, we read in the first chapter of the Avestan book of “laws/formulas against diabolic forces/demons” vî-dæv-dátá:

“The first of the good lands and countries that I, Ahûrá Mazdá created, was the Airyana Vaæja “Cradle of the Airyá, the Noble Ones” by the Vaηûhi Daitya “the good, bountiful” river.

Thereupon came angra mainyu “evil, decayed spirit/mind” who is “pôuruu-mahrkö” full of death,” and he counter-created the serpent in the river and zyãm “WINTER,” a formation of the demon-gods daævö-dátem.

Ten are the winter months in Airyana Vaæja, two the summer months, and in winter there the waters are freezing, the earth is freezing, and the plants are freezing.”

Airyana Vaæja “cradle of the Noble Ones,” is the holy land of Zoroastrianism. It is the birthplace of the ancient poet/prophet Zarathustra, and the original homeland of proto Indo Europeans.

In the ancient Avestan texts the theme of the “final battle and splendid renewal of the worlds” is an integral component, a subject that is distinctively and uniquely shared with the ancient Norse Scandinavia.

The motif of the severe cosmic winter, as immediate prelude to the “titanic final battle” in Zoroastrianism, and Yima’s underground var, the underground shelter in Airyana Vaæja where the pristine seeds of all the living will be safeguarded, also can closely be compared with the Norse fimbulvetr/fimbulwinter.

ardeshir

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The abode of the Immortals, wide vision, and the eye that sees all in the poetic gathas


WELKIN “clouds, heaven, abode of the Gods” is an old English word that brings to mind a quote from Shakespeare’s King John Act 5, Scene 5: “The sun of heaven, methought, was loath to set / But stay’d and made the western welkin blush.”

The word welkin has been used in English since at least the 12th century, and it derives from Proto Indo European *welk, *welg “wet, moist.” The German word wolke “CLOUD” comes from the same root.

This brings to mind the primal Greek God personifying “sky/heaven,” Uranus Ouranós. The sky god Uranus comes from *vorsanós “rain-maker,” and belongs with Vedic varṣá, Avestan varəš “to rain,” deriving from Reconstructed Proto Indo European root *ṷérs “to rain, moisten.”

Middle Iranian várûn Persian bárán “rain” are cognates, and go back to the same ancient Indo European root.

The great scholar George Dumézil has considered Ouranós to be the same as Váruṇa the chief god/asura of the Vedic pantheon. Váruṇa is the god embodying “vault of the sky, celestial oceans and rain water.”

Dumézil’s equation of Ouranós with Váruṇa has since been deemed as incorrect. Váruṇa is currently linked with the root *ver “to speak” (Latin verbum “word.”) Váruṇa is the “master of the sacred word, formulas, and rules/laws of the cosmic order.”

Váruṇa is noted for being “all seeing,” and has been brought into connection with the ancient Lithuanian Vélinas, Latvian Velns, the Gaulish Vellaunos, and Hittite Walis, all the latter supposedly deriving from the root *wel “to see.”

The *wel root also comes in connection with the German prophetess Veleda, where it refers to vatic “seeing.”

The passage in the poetic gathas dealing with the “eye that sees all, knows all” is the first rhymed verse line of Yasna 33.13. The gathic term is vôuruu čašánæ. In the Rig Veda, Váruṇa is called urucákśas-, 1. 25. 5.

Avestan vôuruu comes from the root *ver/*wer (*vérhus) “vast, wide, limitless, all encompassing.” It is believed that the *wel root is unknown to Indo-Iranian.

Vôuruučašánæ is an epithet of Ahûrá Mazdá. For the Mindful lord witnesses everything, watchful, and intent, with his eye’s beam (Yasna 31. 13,) he is not deceived, the ahûrá who sees all’ (Yasna 45. 4.) In the poetic Avestan hymns, the sun is called the eye of Ahûrá Mazdá.

At the same time, in the Avesta, Mithra “friendship with the Immortals,” is said to have ten thousand ears and ten thousand eyes, he is all knowing and cannot be deceived.

In the gathic poetry and the sacred Zoroastrian literature, Godhood is the eternal quest for excellence, and heaven is where there are new horizons, and visionary power.

There is perhaps a Germanic parallel in the Hildebrandslied, where Hiltibrant begins a speech with the words wettu Irmingot obana ab heuene. This corresponds to the position of Odin in the Eddas. Odin has the highest seat among the gods, and from it he surveys all the worlds the sense would be ‘let Irmingot know it from above in heaven. (Irmingot is an epithet of Odin, and is equivalent with Gathic/Avestan Airyaman)

ardeshir

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The ancient Zoroastrian nation state Erán-shahr, and a plurality of ethnic groups within the ancient Persian Empire


The ancient Iranian system of government can be understood under the term Éránshahr. The word ērān is derived from middle Iranian ehrih “honor, nobility, German Ehre.” It goes back to Avestan airya “noble.” The term for “state, realm, dominion” in middle Iranian is shahr. The term airya daiŋhvö “lands, realms, kingdoms of the Aryans” is repeatedly mentioned in the Avestan hymns.

Érán is attested in the title of Ardeshir I, founder of the Sassanid dynasty on his investiture relief at Naqš-e Rostam. Ardeshir is called in Middle Iranian šāhān šāh ērān, and in Parthian šāhān šāh aryān “King of kings of the Noble Ones/the Aryans.”

The great trilingual inscription of Shāpūr I at the Kaʿba-ye Zartôšt in the Pars Province, contains the term Éránshahr (Parthian Aryānšahr.)

The king declares in middle Iranian Ērān.shahr xwadāy hēm, Parthian Áryānšahr xwadāy ahēm, Greek egō . . tou Arianōn ethnous despotēs eimi “I am the god-ruler of the realm of the Aryans.”

Éránshahr properly denoted the “realm, dominion, country, nation state” of the ancient Iranians, and goes back to the Avestan airyanām.

Shāpūr refers to his son Naresh as: ēr māzdēsn Narseh, šāh Hind, Sagestān, Parthian ary māzdēzn Narseh, “the Aryan, Mazda-worshipping Narseh, king of (northern) India, and the Scythians.”

Other Sassanid rulers from Ardeshir I onwards called themselves “the Noble/Aryan Mazda-worshipping king of kings of the Aryans érán/airán and the Non-Aryans an-érán/an-airán.”

The towering mountain fortress of the Iranian Plateau and the vast steppes of Central Asia were designated as the realm/lands of the Indo Iranians or ancient Aryans.

Other ethnic groups were limited to their respective homelands within the ancient Persian Empire, free to worship, and practice their laws and customs under the Mazda worshipping rule of the Éráns.

The ancient Iranians, as Indo-Europeans, never forced “Ahûrá Mazdá and his brilliant Immortals” on the alien tribes and peoples of their vast Empire.

In holy Denkart 7, the same distinction is made between érán/airán and an-érán. However, it shall be stressed that each ethnic group was considered EQUAL on its own merit in the ancient Persian Empire, and in the Zoroastrian texts.

Diversity in the ancient Persian Empire meant favoring cultural identity of each individual ethnic group within their vast Empire, but with strict boundaries existing between themselves and other alien nations/groups.

ardeshir

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The second hymn of the gathas, animal welfare and the spirit/will to enhance life


The second song/hymn of the poetic gathas start with the words šma.ibiiá géuš ûrvá gereždá “To You (the Multiplicity of Immortals,) the soul of the primeval cow géuš ûrvá (personification of all animal life,) lamented/grieved gereždá.

The “primeval cow” géuš of Zoroastrianism as proto type/progenitor of all animal life is almost identical to the primordial cow called Auðumbla in the Norse ancient sagas.

The second gathic song/hymn is called šma.ibiia as it narrates the lament of the animal soul to the Sacred Immortals. The poem starts with šmá, and ends with the word yüšmá both referring to “YOU in PLURA,” addressing the manifold nature of Godhood.

The Persian word shomá comes from the Avestanšmá and goes back to reconstructed Proto Indo European *sué. German has a similar formal expression for “You in Plural” Sie.

The religious poetry of the sacred songs/gathas reveal a multiplicity of ahûrás (cognate with the Norse æsir.) however, with a clear recognition that ultimately the many Immortals are ONE in Mazdá the “supreme god of “mind power, imagination and inspiring creativity.”

Mazdá and the Primordial Greek Musues “inspiration for music, sciences and the arts” have the same linguistic derivation/root, and convey almost the same idea.

In the poetic gathas, Mazdá and his ahûrás who embody “imagination, inspiring creativity, discovery, new horizons, and overcoming of adversity,” are continuously in struggle with añgrö, “the lord of defects” and his host of diabolic demons, (See Yasna 45.2.)

The “blemish giver” añgrö comes from a root that means “rigidity, stagnation and rot.” This festering/putrefaction of the “spirit, mind power” is the anti God in Zoroastrianism. While the “passion, fire, vigor, energy of mind/consciousness” is Godhood.

In the second gathic hymn, géuš tashan the “artisan of the Immortals, the fashioner/sculptor of life” inquires of ašá/arthá the will, spirit/mind power mainiiuu, which strives to EXCEL and introduce “order, superb artistry” into cosmos, concerning a champion/proponent for the spirit of animals.

Avestan taša/tashan “to fashion, shape, form” is a cognate of ancient Greek *tétk̑ōn, Greek τέκτων téktōn, Vedic tákṣan (See Didier Calin) and Germanic Þahsuz/thahsuz, all going back to reconstructed Proto Indo European *teḱs “to weave, compose, fashion, form.”

Mazdá the supreme god of “mind power, imagination and inspiring creativity” declares that the ails of animal life on earth can only be healed through an inspired seer who communicates the wisdom/speech of vôhû man, See Yasna (29.7.)

Vôhû Man is “goodness, full energy, brightness of consciousness, mind, spirit,” and is the realm/home of the ahûrás, (See Yasna 39.3 and Yasna 44.9.)

In Zoroastrianism, the Immortals are “innately good, luminous and are only givers of good things.” The very “mind, spirit, disposition” manö of Godhood is “goodness, genius and luminous vision.”

This “goodness, full energy and brightness of the spirit/mind” is denoted with the words vôhü, vaŋhuu and vaŋhéuš (Proto Indo European *wesu-) in the poetic gathas.

In the Vedas, vásu-pati “lord of good things” is an attribute of the gods, occurring some 15 times in the Rig Veda. In the Rig Veda, there is also a class of deities, known as the Vasus (Vásavah,) the Good/Bright Ones. The Germanic Visigoths the “Good Goths,” also known as Alanic Goths derive their name from this same ancient root.

In Zoroastrianism, Godhood is the brilliant force that overcomes adversity, and always fashions/sculpts a more splendid creation. Godhood NEVER sanctions animal sacrifice/cruelty, plagues and misfortune. Instead Godhood is odyssey of consciousness/mind-power, and the “superior wisdom” to overcome afflictions and limitations.

No ancient Indo European poet is more keenly alive to the joyous things in life: the praises of youth and vigorous energy, of prosperity and good fortune, and of all that is sublime, noble, pure and beautiful in nature, than the seer/prophet Zarathustra.

In the second gathic song, the Mazda Worshipping faith is declared to be the defender, and loving steward of animals. Zarathustra is said to be the seer/prophet of the brilliant disposition/wisdom vôhü man.aŋhá of the Immortals. Vôhü Man.aŋhá is the very spirit/will to enhance life, and joyously celebrate growth, health, vigor and vitality.

This unequivocal rejection of all animal sacrifice, and absolute assertion of animal rights as well as animal stewardship in the poetic gathas, sets the teachings of the ancient Aryan prophet apart from almost all other ancient pagan Indo European beliefs.

To bless” in English means “to consecrate with blood,” for it comes from Old English blēdsian, blōd “blood = consecrate with blood,” See Didier Calin.)

However, the concept of any blood consecration is utterly rejected by the ancient poet/prophet of the Aryans, and is deemed as a vile offering, demanded by, and only fit for diabolic demons.

In Zoroastrianism, the will to enhance life, virtue, wisdom, and stewardship of animals/nature are the only acceptable offering to the Immortals. Animal welfare, and protection of the purity of nature/elements are fundamental principles in the noble faith of Zarathustra.

The later extensive animal welfare laws in Zoroastrianism are diluted versions of the laws introduced by the seer/prophet himself. Although, faint hint to animal sacrifice can be found in only 1 place in younger Avesta, and in 1 or 2 passages in holy Denkart, yet later Zoroastrianism has by far entirely discarded animal sacrifice, and has replaced it with cutting open of fruit offerings during the sacred rituals.

In Zoroastrianism, creation is to be cherished for its own sake, and animals are to be protected for their own sake. Zoroastrianism is certainly NOT anthropocentric, but centered on virtue, wisdom, goodness and will to become godlike through enhancing life.

ardeshir

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Celebration of Equinoxes, Solstices in Zoroastrianism, and the sacredness of nature


April 30th marks the beginning of the Zoroastrian “mid-spring” festival. The mid-spring festival lasts 5 days and culminates on May 4th. Maiδyö.zarəm literally means “middle of greenery and flowers,” and refers to the “bright golden green color of spring flowers and vegetation.” Compare Avestan zarəm.iia with Russian zelënyj “green.”

The word for SPRING in Avesta is however vanri, a cognate of Latin vēr and Old Church Slavonic vesna.

Maiδyö.zarəm is one of the 6 major thanks giving holidays of Zoroastrianism, along with Hamaß.paθ.maiδ.iia “Vernal EQUINOX” or the moment when the center/middle position maiδ.iia of the Sun and the celestial points/paths paθ are at the same hamaß or equal distance from each other; Maiδyö.šam “mid-summer;” and Maiδ.yaar “mid-year,” dating to the times that count of years were by winters.

Four of the thanksgiving holidays celebrate equinoxes and solstices, and the 2 others honor bountiful harvest, animal welfare and stewardship.

Maiδyö.zarem lies halfway between vernal equinox and summer solstice, and is the festival of the pure essence/nectar of flowers and plants. The Avestan epithet of maiδyö.zarem is paiian meaning milk, syrup, nectar,” a cognate of Lithuanian pienas “milk” Greek pion “fat, cream.”

During the mid-spring holiday rituals using the symbolic use of fire and bright flowers are performed to encourage growth, the abundance of milk and dairy products, and protect the cattle, crops and people from harm and negative energies.

Doorways, windows, equipment for milking, butter making and cattle themselves are decorated with bright flowers to evoke fire and youthfulness.

Like all other Zoroastrian rituals, bonfires are kindled, and their flames, smoke and ashes are used in sacred rituals. Family hearths and sacred flames are re-lit from the bonfires. When the bonfire has died down, the ashes from it are thrown in the fields for increased energy, renewed vitality, and assuring future bountiful harvest.

No Indo European poet is more keenly alive to the praises of all that is sublime and beautiful in nature more than the Aryan seer/prophet Zarathustra.

Zoroastrian worship is closely connected to the celebration of the joyous things in life and the sacredness of pristine nature.

Central to the Zoroastrian belief is the assertion that each aspect of the material universe is a symbol of one of the Immortals. Thus the invocation invoked to each of the Brilliant Immortals is addressed to the material representation of the same Immortal in the material universe.

Zoroastrian faith has really no sacred icons, idols or any congregational worship. Instead worshippers, pay homage to lofty mountains, sacred springs, trees, holy waters, wind, hearth fire, celestial lights, stars, sun, moon and morning dawn.

Thus, the sacred poetry of the ancient Aryan poet-prophet as well as the Zoroastrian ritual worship, suggest a kind of poetical pantheism, and sees Godhood in all that is sublime and beautiful in pristine nature.

ardeshir

 

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Zarathustra, the ancient Indo European prophet, the rising of ahuras, and Spring Renewal


Zarathustra was the ancient Aryan poet/prophet whose birth coincided with the celebration of spring, new dawn and renewal of vitality. His philosophy and ancient poetry is as well based on the Celebration of life/light, the will to excel and thrive, splendid new dawn, powers of renewal, and arising of the immanent Godhood within nature and man.

In his poetic gathas, the seer/prophet sings: “arise within me ahura” ûs-möi ûz.árešvá ahûrá, referring to the ascension of Godhood within nature and man. Zarathustra teaches to bring out the god within, and to nurture, develop the inner creative artist, and the skillful gardener of the worlds.

The religious sentiments of Zarathustra come straight from the heart; and there is a distinctively personal and passionate note about them. His poetic gathas sing of a luminous vision of the ahuras (Norse aesir,) and are a roadmap to become like the Immortal Gods, tãm daænãm ýá šmá.vatö ahûrá.

The keynote of Zarathustra’s religious doctrine is that we share the same ingenious/brilliant essence as the Immortals, and bear likeness to Godhood in lofty mind, purity, radiance, goodness and genius.

The gathas/songs of the ancient Aryan prophet start with the phrase ahiiá yásá. The word ahiiá “essence of being” is the equivalent of Vedic asiiá, and refers to sharing “the same essence as” the Immortal Gods/Godhood per the ancient Avestan commentaries. The second word yásá is a cognate of Greek zelós, and connects “essence of being” to “intense desire, passion, yearning, the quest for never-ending excellence.”

There is, indeed, nothing more characteristic of Zarathustra, than the conviction that we are impelled by the very constitution of our nature to wrestle and strive towards betterment, Godhood and excellence. Cosmic order/truth according to the famous ašem vôhü formula is about becoming ever better, and striving to excel ever higher.

According to the poet/prophet of the ancient Aryans, the supreme control of the universe and mortals belongs not to a blind or implacable fate, but to watchful and discerning ahuras, hvö vîčirö ahûrö//aθá-né aηhat ýaθá hvö vasat. The wisdom and will of Godhood impel the chariot of time forward. In the gathas, and the Avestan lore time is always cyclical. But the cyclical movement of time has a purpose and plan. The rotation of the wheel of time is not a blind movement, but an intelligent march of titans forward. See Yasna 44.17 concerning the wheel of time and chariot imagery in the poetic gathas.

In Zoroastrianism, the march of time will ultimately bring to fulfillment the triumph of the spirit, the will of the Immortals, and the overcoming of all limitations and flaws.

The wheel of Time rotates forward to create/redesign a more splendid, loftier creation always. There is no falling back to the age of reptilian monsters and apes in Zoroastrianism.

Godhood for the Aryan poet/prophet is ONLY the “odyssey of mind power, creative imagination, consciousness, the sacred Will to overcome limitations, the passionate desire to excel and thrive.”

Zarathustra teaches that visions/ideas are the real prime mover force, and that the secrets of the universe are encoded in the rhythms, modes, frequency, and vibrations of mind energy, imagination and consciousness.

He declares himself to be the prophet of the supreme god of “mind power and inspiring creativity” MAZDA. In Indo European sacred lore, MAZDA is closest to ODIN, “the wanderer wisdom.” Yet, etymologically MAZDA is related to Greek MUSES, who personified mind/will power, remembered all things that had come to pass, and gave artists, philosophers and individuals the necessary inspiration for creativity and innovation.

The gathas of the Aryan prophet talk of Mazdá and his ahûrás (in plural.) These ahûrás of the gathas have become the later Zoroastrian Auspicious or Brilliant Immortals.

The nature of ahûrás is connected to cosmic order/truth and eternal quest for excellence. Per the holiest mantra of Zoroastrianism: To become ahü or godlike is “one and the same as” becoming the knower of riddles of the cosmic order ratü, that is to know all the rites and formulas of the universe.

There is NO diversity of interests and clash of contending wills among the different Immortals or aspects of Godhood in Zoroastrianism, See Yasna 51.20.

Zarathustra teaches the Oneness of Godhood in “inspiring creativity, goodness, genius and truth,” but in NO remote way implies biblical kind of monotheism. Almost every poetic verse and metre in the gathas is an ode to the Brilliant Immortals.

The association of Zoroastrianism with monotheism is fairly recent, and goes back to 19th century Protestant Evangelist Martin Haug. NO ancient Greek, Roman, Babylonian, Assyrian, Hebrew, Christian, Chinese or Arab account of Zoroastrianism says or confirms ANYTHING about monotheism in relation to Zoroastrianism. More importantly, there is absolutely nothing in the Zoroastrian sacred lore that remotely resembles the shema of the Old Testament or hints at possible Old Testament like monotheism.

In the gathas and the rest of the Avestan lore, the Immortals are ONE LUMINOUS FORCE. Godhood headed by Mazdá is the force that “discovers, imagines, innovates, thinks, overcomes limitations and ever designs a more splendid creation.” Immortals are the author of goodness, genius, discovery and brilliance ONLY.

Zarathustra objected to the idea of the gods acting for some deranged pleasure of theirs. Immortals are exempt from the lower passions incident to human nature. In the vision/religion of Zarathustra Immortals are incapable of deception, cruelty, and infliction of misery. The Gods “know not sadism, flaws nor imperfections. They are pure goodness, genius and splendid mind power that press for the advantage and betterment of creation.

Powerful beings that ask for blood sacrifices of innocent animals, who show sadistic pleasure in tormenting mortals, who trick and deceive are NOT Gods but devils daævás. There is no killing of innocent animals in the gathic doctrine of Zarathustra. The only acceptable offering to Immortals is holy water, purity, good thoughts, good words, good deeds, and becoming ingenious/brilliant like Immortal Gods themselves.

Zarathustra does NOT believe in the doctrine of the envy of the Gods either. In the eyes of the seer/prophet of the ancient Aryans, the divine nature is NOT jealous or petty, and the so called gods that will not suffer any but themselves to think high thoughts or excel are NO Gods but “devil gods and demons” daævás, who are not worthy of worship.”

Man in Zoroastrianism is a free moral agent, not a slave. Zoroastrianism entirely rejects the notion of victimhood, and believes in consequences of choices, will power and the eventual triumph of the spirit. Mortal man in Zoroastrianism is the co-creator and fellow warrior of the Immortal Gods. The ultimate prize in the gathas belong to the fellow/co creators of the Immortals, those who write new, ever better songs in the celestial abode of music garö demánæ, where Mazdá, the supreme god of “mind power and inspiring creativity” arrived first and foremost See Yasna 51.15. This makes the Zoroastrian notion of immortality and glory pretty novel and unique.

Zoroastrian faith is not simply a very ancient Indo European religion, but a spiritual way of life meant for the noble ones. It is about the triumph of the sacred will to excel/overcome, and is exclusive to the co-workers of the Immortals, the wanderer wise, the philosopher warrior, and the noble stewards of the creation. Zoroastrianism is not and has never been a faith for the sheepish and the masses.

The Aryan seer/prophet Zarathustra brought into prominence the nobler and more ideal features of the Indo European pantheon, and purified the traditional theology of Aryans to its pristine purity according to the Avestan lore. May splendid glory be always to the Mazda worshipping religion, the teaching of the wise ahuras ahûra-tkaæšö.

ardeshir

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Rapithwin, loftiest of all lights, and the Celtic goddess Brigit


 

In the Avestan calendar, the 3rd day after the vernal equinox is associated with aša vahišta or artha vahišta “truth, cosmic order, excellence, the very best,” and rapithwin “high noon,” when the sun is at the zenith of its radiance.

High noon is a powerful symbol in Zoroastrianism. It is a time of highest radiance, when there are no shadows, when everything is seen in the clear light, and when there is no obscurity/hiding.

In the Zoroastrian sacred lore, Öhrmazd performed the Yazišn “intense desire, zeal, yearning” with his brilliant Immortals, in the Rapithwin watch, and in that Yazišn he supplied every formula for overcoming blemish and all imperfections. Öhrmazd deliberated with baôd the “awakening force,” and fravaši “the primeval spirits.”

The duel between good and evil began at high noon, and it will be on high noon that the evil spirit will perish, and the worlds will become splendid and immortal.

Rapithwin appears in the form of arem pithwá in the poetic gathas. The term refers to the “highest point of the sun, and the southerly direction.”

This is confirmed by the Avestan prayer formula of Yasna 36.6 recited at high noon: imá raôč.áv//bareziš.tem barezi.ma.nãm, avat ýát//hvaré a.váčî

This light raôč.áv (German licht,) highest of the high bareziš.tem barezi.ma.nãm, yonder sun hvaré (Greek hélios.) is called a.váčî (voiced, expressed in words.)

The epithet bareziš.tem barezi.ma.nãm “highest of the high, the most lofty” comes from the Avestan root barez “high, lofty.” The word is connected to German berg “height, hill, mountain,” and Old Irish goddess Brigit “high, lofty one.”

Brigit in Celtic mythology is a continuation of the Indo-European dawn goddess, and associated with the spring season, fertility, healing, and poetry.

Saint Brigid shares many of the ancient goddess’s attributes and her feast day was originally a pagan festival (Imbolc) marking the beginning of spring.

High noon also marks the moment of truth, excelling and judgment in the Iliad poetry of ancient Greeks. The momentum of the fighting between the Achaeans and Trojans is hanging in the balance—until high noon arrives, at which point Zeus decides to get out his golden talanta ‘scales’, I.08.69, as he readies to weigh who will win and who will lose.

Then Zeus thunders from on high on top of Mount Ida, and he sends a flaming thunderbolt toward the Achaeans (I.08.076.) The word for the thunderbolt is selas, meaning literally a ‘flash of light’. This “flash of light” signals the Will of Zeus.

Bartholeme’s etymology of Rapithwin and suggested connection to Lithuanian pietūs appears to be wholly wrong.

High Noon is a time of highest radiance. The high radiance/light of noon symbolizes the judgment of the immortals, will to excel, powers of growth and the promise of an eternal spring.

ardeshir

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